Colombian filmmaker Emilce Quevedo Díaz offers an intimate space for the women of her family to talk out past traumas in We, the Women.
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Kanaval: A People's History of Haiti in Six Chapters delivers a nuanced and immersive celebration of Carnival with a rich cinematic essay.
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Hannu, a Finnish man with a love for lynx, delivers a character of Herzoggian proportions and a parable for conservation in Lynx Man.
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We Are Guardians provides compelling insights into the dire situation in the Brazilian rainforests and Indigenous activists who fight to protect them.
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Trained to See – Three Women and the War sees Luzia Schmid spotlight three women journalists who broke the glass ceiling during WWII.
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Soviet Barbara: The Story of Ragnar Kjartansson in Moscow is a true portrait of artistic expression amid life under Putin.
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Pure Unknown is the kind of social issue film that always attracts an audience at Hot Docs—and deservedly so in the case of this empathetic work.
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Jialing Zhang delivers a haunting and vital film that observes the impact of China's surveillance on its own citizens with Total Trust.
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The Mountains and I Lost My Mom win the Hot Docs awards for best International and Canadian feature.
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The poetic documentary Sundial harnesses the power of slow cinema to create an immersive and experiential portrait of rural Estonia.
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