In Ba's Book, filmmaker Ashley Duong adapts her father's story in a creative fashion that dramatizes his journey from Vietnam to Canada.
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Does the hype for You Can See Everything make it an Oscar contender for categories like Best Picture? No documentary has ever cracked the top category.
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In You Can See Everything Nathan Fielder and Lance Oppenheim capture the elusive mystery of Elizabeth Holmes in a portrait that proves the truth isn't nearly as interesting as a lie.
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An interview with At Night director Beatrice Gibson about creating an intersectional portrait of Parisian women and drawing upon literary references.
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Sebastian Brameshuber creates a unique spin on the road movie in London as travellers have conversations in a car on a soundstage as they approach their "destination."
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Highlights in the non-fiction side of TIFF's Short Cuts selections include films like
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Like Magic gives an enigmatic twist to true crime documentary by examining a personal tragedy through a personal, audacious lens.
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Matt Johnson and Jay McCarrol's Nirvanna the Band the Show is now streaming on Disney+. Here's a few reasons why you should watch it.
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Gabrielle Brady and Poh Lin Lee discuss their collaborative process on the hybrid films The Wolves Always Come at Night and Island of the Hungry Ghosts.
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Coming soon, POV issue #126 (Fall/Winter 2026) includes first looks at new Canadian documentaries on the fall festival circuit, plus aliens in docs, AI, wearable tech, and more!
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