Tales from a Prison Cell (Hungary/Croatia/UK, 80 min.) Dir. Ábel Visky Programme: Artscapes (World Premiere) A Hungarian prison might not be the place one expects to encounter uplifting children’s stories. However, Tales from
Keep ReadingThat Cloud Never Left (India, 65 min.) Dir. Yashaswini Raghunandan Director Yashaswini Raghunandan has a perceptive sense of humour. Her film That Cloud Never Left opens with a title card that reads, “This is
Keep Reading
Next up in our report from Sundance, a look at the latest triumph from Cameraperson director Kirsten Johnson - Dick Johnson Is Dead
Keep ReadingMS Slavic 7 (Canada, 64 min.) Dir. Sofia Bohdanowicz, Deragh Campbell Audrey Benac’s adventures in the archives continue with MS Slavic 7. After being thwarted by limited user time and bad egg sandwiches
Keep Reading
Heather Young discusses her hybrid drama Murmur, which brings the story of a recovering addict who volunteers at an animal shelter to this year's Toronto International Film Festival.
Keep ReadingCold Case Hammarskjöld (Denmark/Norway/Sweden/Belgium, 128 min.) Dir. Mads Brügger Fans of true crime documentary had better grab their notepads, stock up on sticky notes, and pour a mammoth cup of coffee. Cold
Keep ReadingFraming John DeLorean (USA, 109) Dir. Sheena M. Joyce and Don Argott Programme: Special Presentations (International Premiere) “When the legend becomes fact, print the legend,” says newspaperman Maxwell Scott (Carleton Young) in
Keep ReadingMarek Edelman…And There Was Love in the Ghetto (Poland, 79 min.) Dir. Jolanta Dylewska Programme: International Spectrum (World Premiere) If making out during Schindler’s List is your game, and I hope it’s not, then Marek Edelman is
Keep ReadingThe Invisibles: We Want to Live (Germany, 110 min.) Dir. Claus Räfle Past, present, fact, and fiction weave an effective collage in The Invisibles. This powerful doc-drama hybrid tells the story of the
Keep Reading
“The mystery in Kane is largely fake…” — Pauline Kael, Raising Kane, 1971, on the “shallow masterpiece” Citizen Kane. “We Hanky Panky men have always been with you.” — Orson Welles, F for Fake. F
Keep Reading