Vancouver director Nisha Platzer offers a personal examination of loss and love in back home by looking back at the death of her brother.
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An interview with Parastoo Anoushahpour on her experimental short film The Time That Separates Us, inspired by the Sodom and Gomorrah tale of Lot.
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Inspired by Sable Island and its one constant human inhabitant Zoe Lucas, filmmaker Jacquelyn Mills has constructed a work of art with Geographies of Solitude.
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In Animal Macula, old images take on new resonance and considerations through montage, transforming how we see more radically than merely engendering empathy.
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Bianca Stigter asserts the presence of lives lost to the Holocaust in Three Minutes - A Lengthening, which interrogates a snippet of footage shot in Poland in 1938 and considers the history
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Payal Kapadia makes a poetic and invigorating feature debut in this Cannes winner that charts a young woman's personal and political awakening amid student protests in India.
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The Mirror Mountain Film Festival, a new event based in Ottawa, showcases Indie, alternative and underground cinema, including some great short documentaries. The selected short docs explore such themes as family, belonging,
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Payal Kapadia's A Night of Knowing Nothing wins the L’Œil d’Or, Cannes' prize for documentary cinema, with her experimental debut feature. Sergei Loznitsa nets a special mention.
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Director Isidore Bethel is on the rebound. He’s a young, attractive, and scruffy actor/filmmaker getting over a recent break-up with an older man. Bethel explains in voiceover that the May-December romance was
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An appreciation of late experimental film maverick Barbara Hammer who broke ground with formally inventive and daring works that emphasized lesbian visibility, including Superdyke, Maya Deren's Sink, and .
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