Captains of Za'atari director Ali El Arabi discusses his festival hit that sees young refugees become role models for fellow youths.
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An interview with Alone (Seuls) director Paul Tom about telling the stories of child refugees through the creative use of animation.
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Highlights from POV's Fall/Winter 2021 issue, which surveys the state of Indigenous film production, and highlights docs including Gabor, Flee, The Last of the Right Whales, and Three Minutes - A Lengthening.
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Drunken Birds (Les oiseaux ivres), directed by Ivan Grbovic and co-written/shot by Sara Mishara, will represent Canada in this year's Oscar race for Best International Feature.
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Rosana Matecki's Saturday Night explores the tango of alienation and inclusion in urban life as the director visits a dance hall through the perspectives of two immigrants.
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An interview with Nuisance Bear directors Jack Weisman and Gabriele Osio Vanden on their TIFF 2021 short that observes polar bears and the humans who like to watch.
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How many love stories can say they’ve spanned decades, crossed borders, and traversed genres? A tender tale of migration and belonging fuels Heidi Ewing's hybrid drama I Carry You with Me.
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In 1990, Luben Boykov and Elena Pokova fled communist Bulgaria, saying goodbye to their friends and family, not knowing if they would see them again. “Traitors to Communism!” Russian KGB agents shouted
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Every building tells a story. The older the abode, the grander the tale. The short doc series Behind the Façade, produced by Lantern Films, opens the doors of several structures that shape
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“My body stinks of strawberries and work when I wake up,” says Ashley Solis, the teenager at the heart of the new doc Fruits of Labor. The film follows Solis and her
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