In Going Varsity in Mariachi, directors Alejandra Vasquez and Sam Osborn follows the practices of a school band straddling two worlds.
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An interview with Saint Omer director Alice Diop on creating a new cinematic language between fiction and non-fiction.
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Unspoken Tears is a documentary from the NFB that observes as young refugees in Canada undergo the healing process following trauma.
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Journalist and filmmaker Michelle Shephard revisits the tale of her 2010 subject Ismael Abdulle and finds a new and unexpected angle with The Perfect Story.
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With Concrete Valley, Antoine Bourges crafts a slice of life hybrid film about new Canadians in Toronto straddling two worlds.
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How do non-fiction filmmakers document the migration crisis? Films like Human Flow, El Mar La Mar, Born in Syria, and Clebs tackle a global human rights issue.
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In Eskape Neary Adeline Hay recounts a journey from Cambodia to France after the fall of the Khmer Rouge with her mother, Thany Lieng.
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Nasim, directed by Ole Jacobs & Arne Büttner, observes an Afghan refugee and her family as the wait in limbo in a camp in Moria, Greece.
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Lina Rodriguez crafts an impressionist portrait of Latin American migrants in Canada with the voices of three women in Mis dos voces.
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Isabel Castro's Mija tells a new kind of immigration story, narrowing in on the experiences of Mexican immigrant daughters in the USA.
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