How do non-fiction filmmakers document the migration crisis? Films like Human Flow, El Mar La Mar, Born in Syria, and Clebs tackle a global human rights issue.
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In Eskape Neary Adeline Hay recounts a journey from Cambodia to France after the fall of the Khmer Rouge with her mother, Thany Lieng.
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Nasim, directed by Ole Jacobs & Arne Büttner, observes an Afghan refugee and her family as the wait in limbo in a camp in Moria, Greece.
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Lina Rodriguez crafts an impressionist portrait of Latin American migrants in Canada with the voices of three women in Mis dos voces.
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Isabel Castro's Mija tells a new kind of immigration story, narrowing in on the experiences of Mexican immigrant daughters in the USA.
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An interview with Flee director Jonas Poher Rasmussen on his animated doc.
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Captains of Za'atari director Ali El Arabi discusses his festival hit that sees young refugees become role models for fellow youths.
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An interview with Alone (Seuls) director Paul Tom about telling the stories of child refugees through the creative use of animation.
Keep ReadingHighlights from POV's Fall/Winter 2021 issue, which surveys the state of Indigenous film production, and highlights docs including Gabor, Flee, The Last of the Right Whales, and Three Minutes - A Lengthening.
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Drunken Birds (Les oiseaux ivres), directed by Ivan Grbovic and co-written/shot by Sara Mishara, will represent Canada in this year's Oscar race for Best International Feature.
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