Glenn Copeland performs "Color of Anyhow" in this exclusive clip from Keyboard Fantasies.
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Fire Music is a labour of love as director Tom Surgal passionately traces the history of free jazz.
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Penny Lane discusses her documentary Listening to Kenny G and the question of who has the right to judge another person's taste.
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Sam Dunn and Marc Ricciardelli deliver an old-school rock doc that should please fans of the band in Triumph: Rock & Roll Machine -- and hopefully attract some new fans along
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Alison Klayman revisits Alanis Morisette's groundbreaking album Jagged Little Pill and unpacks the significance and longevity of an album that changed rock.
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Penny Lane's Listening to Kenny G playfully debates musical tastes by looking at the career of the iconic jazz man and the fine line between good sax and bad sax.
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In The Last Man Standing: Suge Knight and the Murders of Biggie & Tupac, Nick Broomfield returns to a case that continues to haunt him and makes new allegations against Knight and
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Haynes’ film is quite simply one of the best of the breed. This is easily a definitive portrait of the band that feels like the Velvets’ last testament.
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Fanumentaries are on the rise. These docs are generally lo-fi crowd-funded affairs that let fans share their passions with the world. The danger with these kind of fan-service documentaries, however, is that
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Summer of Soul (…Or, When the Revolution Could Not Be Televised) (USA, 117 min.) Dir. Ahmir “Questlove” Thompson While celebrity director Ahmir “Questlove” Thompson and his producers have made much about
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