Now Streaming: The Nest Explores Layers of History Housed Within a Home
Now streaming from the National Film Board of Canada, The Nest explores layers of history that intersect within a Winnipeg Victorian manor.
Endless Cookie wins Rogers Best Canadian Documentary from the Toronto Film Critics Association and a cash prize of $50,000 courtesy of Rogers.
Mathieu Denis' drama The Cost of Heaven (Gagne ton ciel) leads winners of the 2026 Kingston Canadian Film Festival.
Veteran director/producer Ric Esther Bienstock reflects upon a career in documentary, from Ebola to porn, and her latest project with Alex Gibney.
The Art of Adventure, directed by Alison Reid, wins the Available Light Film Festival Award for Best Canadian Feature and is overall audience favourite.
Kingston Canadian Film Festival pays a nod to Heated Rivalry with plenty of hockey and sex on the menu, plus everything in between.
Renowned climber Mingma Sherpa embarks on a mission to put the mountain's soul at ease by recovering the bodies of ill-fated adventurers in Everest Dark.
My Knitting Circle, now streaming from the National Film Board of Canada, is a cozy documentary that will keep you warm amid the winter blahs.
Review of the Oscar nominated short documentaries perfectly a strangeness, The Devil Is Busy, Armed with Only a Camera, Children No More: "Were and Are Gone" and All the Empty Rooms.
An interview with EPiC: Elvis Presley in Concert film editor and executive producer Jonathan Redmond about his electric archival portrait of the King.
Remembering Frederick Wiseman, the director of documentaries including Titicut Follies, National Gallery, Menus-Plaisirs: Les Troisgros, and other "Wiseman-esque" films.
Features & Interviews
Alison McAlpine talks about following donkeys en route to an observatory through the Atacama desert in perfectly a strangeness.
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An interview with Endless Cookie directors Seth Scriver and Pete Scriver about
An interview with Come See Me in the Good Light director/producer Ryan
An interview with True North director Michèle Stephenson on her documentary about