Lorne Trailer: New Documentary Spotlights the TV Icon Behind SNL
Watch the first trailer for Lorne, Morgan Neville's documentary about producer Lorne Michaels and his late night TV legacy with Saturday Night Live.
Veteran director/producer Ric Esther Bienstock reflects upon a career in documentary, from Ebola to porn, and her latest project with Alex Gibney.
The Art of Adventure, directed by Alison Reid, wins the Available Light Film Festival Award for Best Canadian Feature and is overall audience favourite.
Kingston Canadian Film Festival pays a nod to Heated Rivalry with plenty of hockey and sex on the menu, plus everything in between.
Renowned climber Mingma Sherpa embarks on a mission to put the mountain's soul at ease by recovering the bodies of ill-fated adventurers in Everest Dark.
My Knitting Circle, now streaming from the National Film Board of Canada, is a cozy documentary that will keep you warm amid the winter blahs.
Review of the Oscar nominated short documentaries perfectly a strangeness, The Devil Is Busy, Armed with Only a Camera, Children No More: "Were and Are Gone" and All the Empty Rooms.
An interview with EPiC: Elvis Presley in Concert film editor and executive producer Jonathan Redmond about his electric archival portrait of the King.
Remembering Frederick Wiseman, the director of documentaries including Titicut Follies, National Gallery, Menus-Plaisirs: Les Troisgros, and other "Wiseman-esque" films.
FIPRESCI announces nominees for inaugural Documentary Grand Prix with the winner to be unveiled at Warsaw's Millennium Docs Against Gravity in May.
On the documentaries of Spike Lee and an artist who never shies away from the truth, whatever form the story takes.
Features & Interviews
Alison McAlpine talks about following donkeys en route to an observatory through the Atacama desert in perfectly a strangeness.
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An interview with Endless Cookie directors Seth Scriver and Pete Scriver about
An interview with Come See Me in the Good Light director/producer Ryan
An interview with True North director Michèle Stephenson on her documentary about