Sons of Detroit Review: A Complicated, Personal Take on Race and Privilege
Filmmaker Jeremy Xido returns to his home town in Sons of Detroit and explores questions of race, privilege, equity, and opportunity.
An interview with Come See Me in the Good Light director/producer Ryan White, producers Jessica Hargrave and Tig Notaro, and star Megan Falley on their openhearted doc.
Documentaries The Encampments and A Night of Knowing Nothing share the art of student protest with distinct methods.
Ghosts of the Sea, now streaming from the National Film Board of Canada, is Virgina Tangvald's haunting tale of reclaiming her family's story.
There Are No Words and Montreal, My Beautiful lead the winners at Toronto's Reel Asian International Film Festival.
Watch the full trailer for the documentary Saints and Warriors, directed by Patrick Shannon, ahead of its release November 28.
The Whistler Film Festival announces its 2025 line-up including the opening night screening of You Had to Be There, and Mountain Culture films Forward and Our Kind of Chaos.
An interview with Hunt for the Oldest DNA director Niobe Thompson about chronicling biologist Eske Willerslev's breakthrough research in ancient DNA.
Reporting on the WIFF Prize in Canadian Film competition at the Windsor International Film Festival, which included docs Shamed and The Pitch.
Three Identical Strangers producer Grace Hughes-Hallett makes her directorial debut with The Secret of Me, a tale of intersex rights and a childhood robbed.
As The Nature of Things enters its 65th season with new hosts and a renewed push for international coproductions, Canadian filmmakers are adjusting to a shifting landscape
Features & Interviews
Documentaries like The Perfect Neighbor and 2000 Meters to Andriivka elevate the found footage genre via body-cams and surveillance videos.
Continue Reading
An interview with The Pitch director Michèle Hozer on following the campaign
An interview with Sasha Wortzel about her documentary River of Grass and
An interview with Raoul Peck about his documentary Orwell: 2+2=5, bringing the