Jamie Miller’s Prince’s Tale, Sophy Romvari’s duo Norman Norman and Pumpkin Movie, and Sofia Bohdanowicz’s Veslemøy’s Song highlight some of the newer voices in Canadian documentary. The films are loosely connected by themes of mortality, history, legacy, and
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Robert Greene’s new film Bisbee ’17 is about the performance of history in the present.
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Shasha Nakhai’s feature documentary debut Take Light is an absorbing character-driven study of the country’s fight for sustainability amidst post-colonial corruption. Nakhai’s film highlights ordinary citizens caught within a power struggle both
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Victory Day, Sergei Loznitsa’s new film, takes place in the present and serves as a sort of companion piece to Austerlitz.
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Watching powerful films and talking about sexual violence as a longstanding institutional problem, we can hope to reach a more forthright way to understand, and bring about change.
Keep ReadingOn a cold day in December 2016 in Toronto, I headed into the apartment of Mandi Gray, carrying a used camera from Craigslist, a tripod, a borrowed lavalier microphone and a Zoom
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Maya Gallus's The Heat asks why women so rarely enjoy prominent roles as chefs when they are traditionally masters of kitchens in the domestic sphere.
Keep Reading93Queen (USA, 85 minutes) Dir: Paula Eiselt Programme: World Showcase (World Premiere) Movies about underdogs fighting for their rightful place have built-in appeal. 93Queen expertly takes you into trials and tribulations,
Keep ReadingThe Guardians (Canada, 104 minutes) Dir: Billie Mintz Programme: Canadian Spectrum. (World Premiere) State-appointed guardianship in Nevada has become an issue in elder abuse. Numerous cases of guardianship have cropped up,
Keep ReadingKing Lear (Russia, 56 minutes) Dir: Denis Klebleev Programme: Artscapes. (International Premiere) Retired actor Viktor Rotin wants to play King Lear. At 86, he’s finally the right age, and he has
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