Juan Cifuentes Mera’s Corrupted is a harrowing probe into mental breakdown that plays out in nonstop fragments of consciousness.
Keep Reading
Dear Audrey delicately observes filmmaker Martin Duckworth and wife Audrey Schirmer.
Keep ReadingIn 2020, in the midst of one the worst health crises ever to assault the modern world, Hot Docs was one of the first film festivals to come through with a full
Keep ReadingPresent.Perfect. (USA/Kong, 124 min.) Dir. Shengze Zhu In 2017, over 422 million Chinese followed online “anchors,” linking up to their “showrooms.” The “anchors” are video bloggers live-streaming whatever is going on in
Keep Readingn the Name of Scheherazade or the First Beergarden in Tehran (Germany, Iran 75 minutes) Dir. Narges Kalhor A playful mashup of styles and subject matter, Narges Kalhor’s movie typifies an accelerating
Keep ReadingDemonic (Australia 28 minutes) Dir. Pia Borg screens with: The Giverny Document (US France 42 minutes) Dir. Ja’Tovia Gary In the International short and medium length competition at RIDM, Demonic and
Keep ReadingAndrey Tarkovsky. A Cinema Prayer (Italy/Russia/Sweden, 97 min.) Dir. Andrey A. Tarkovsky Back in the day, I thought that seeing the latest Andrey Tarkovsky film was obligatory. What other filmmaker got so deeply in
Keep ReadingBelonging (Turkey/Canada/France, 72 min.) Dir. Burak Çevik A true crime story and a love story, Belonging keeps its main characters offscreen until well into the film at which point we see them played by
Keep ReadingOverseas (Belgium, France 90 minutes) Dir. Sung-A Yoon Recalling Alfonso Cuarón’s Roma, Overseas opens on a four minute fixed take of a domestic servant at work. In Korean filmmaker Sung’s understated exposé doc, we watch
Keep Reading
The 2019 TIFF Doc Conference featured a number of Canadian and international leaders in the field, including Barbara Kopple, Yung Chang, and Alan Berliner in conversation about the art and business of
Keep Reading