Now Nathan Fielder's brand of comedy with The Rehearsal and Nathan for You displays a distinct character of Canadianness by blurring humour and non-fiction.
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![Jennifer Baichwal (director, at centre), Peter Mettler (director of photography, right) John Price (camera assistant, at far right), and crowd in Wushan, China, during production of Manufactured Landscapes (2006). [Credit:] Mercury Filmworks / Mongrel Media](https://povmagazine.com/wp-content/uploads/2026/03/MF1-480x384.jpg)
Jennifer Baichwal, acclaimed director of Manufactured Landscapes and Anthropocene, reflects on the guidance that helped carry her through the early years of her career.
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How films like Okuirmono, The Nest, and This House explore the histories embedded within the walls of our family homes.
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Remembering Frederick Wiseman, the director of documentaries including Titicut Follies, National Gallery, Menus-Plaisirs: Les Troisgros, and other "Wiseman-esque" films.
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On the documentaries of Spike Lee and an artist who never shies away from the truth, whatever form the story takes.
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How mockumentaries like The Dirties, Punishment Park, and The Clowns play with our suspension of disbelief and the line between fiction and non-fiction.
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Documentaries reflect stories from Israel and Palestine with varying struggles to be seen and heard--and to satisfy everyone amid the culture wars.
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Celebrity documentaries like Pamela, a love story; Pee-Wee as Himself; and Elvis Presley: The Searcher represent varying degrees of access and exploration in a growing field of docs about famous names.
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Documentaries The Encampments and A Night of Knowing Nothing share the art of student protest with distinct methods.
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Documentaries like The Perfect Neighbor and 2000 Meters to Andriivka elevate the found footage genre via body-cams and surveillance videos.
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