Name Me Lawand feels like a documentary that moves the medium forward with its artistic portrait of a young boy learning British Sign Language.
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Who's Afraid of Nathan Law? is a display of the cunning nature of students, and a reminder of the potential felt with the world at one's feet.
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An interview with Roberta director Elena Kairyte about capturing a universal tale of Millennial directionlessness through one punk's story.
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Danielle Sturk's NFB documentary Why? Sexual Violence and Teens offers a wake-up call and an urgent call to action.
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Fanie Pelletier's documentary Bloom (Jouvencelles) explores how young women create their identities and forge connections in the social media age.
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In Going Varsity in Mariachi, directors Alejandra Vasquez and Sam Osborn follows the practices of a school band straddling two worlds.
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Ha Le Diem's Children of the Mist is a powerful observational documentary about the practice of bride-kidnapping in Vietman's Hmong community.
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Brutal and essential, Theo Montoya's hybrid documentary Anhell69 is the best kind of trangressive documentary filmmaking.
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Marusya Syroechkovskaya offers a personal study of mental health in How to Save a Dead Friend, which hopes to heal a generation of Russian youths
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Unspoken Tears is a documentary from the NFB that observes as young refugees in Canada undergo the healing process following trauma.
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