Andrey Tarkovsky. A Cinema Prayer (Italy/Russia/Sweden, 97 min.) Dir. Andrey A. Tarkovsky Back in the day, I thought that seeing the latest Andrey Tarkovsky film was obligatory. What other filmmaker got so deeply in
Keep ReadingBelonging (Turkey/Canada/France, 72 min.) Dir. Burak Çevik A true crime story and a love story, Belonging keeps its main characters offscreen until well into the film at which point we see them played by
Keep ReadingOverseas (Belgium, France 90 minutes) Dir. Sung-A Yoon Recalling Alfonso Cuarón’s Roma, Overseas opens on a four minute fixed take of a domestic servant at work. In Korean filmmaker Sung’s understated exposé doc, we watch
Keep ReadingJongué, A Nomad’s Journey (Jongué, Carnet Nomade) (Canada, 81 min.) Dir. Carlos Ferrand “I wished to make a film like a pop-up book,” said director Carlos Ferrand of his eighth feature film, Jongué, A
Keep ReadingLe fond de l’air (White Noise) (Canada, 78 min.) Dir: Simon Beaulieu The beginning of_Le fond de l’air_ is meant to be painful to watch. Bombarded by rapid-fire flashing lights, snippets of random
Keep ReadingMental (Japan/USA, 135 min.) Dir: Kazuhiro Soda Programme: Kazuhiro Soda: Making Images Speak Near the end of his 2008 doc Mental, Kazuhiro Soda gets questioned by one of the psychiatric patients he’s interviewing.
Keep ReadingThe Waldheim Waltz (Austria, 93 min.) Dir: Ruth Beckermann Programme: Special Presentations If Donald Trump had been US president when the Kurt Waldheim scandal erupted in the 1980s, he would have ignored
Keep ReadingHale County This Morning, This Evening (USA 76 min.) Dir: RaMell Ross Programme: International Feature Competition ReMell Ross sums up his poetic meditation on black life in small town Alabama when we hear
Keep ReadingMemory Is Our Homeland (Canada/Poland 90 min.) Dir: Jonathan Durand Programme: The State of the World At this point in the 21st century, as the horrific details of past and present atrocities
Keep ReadingThe Apollo of Gaza (Switzerland/Canada, 78 minutes) Dir: Nicolas Wadimoff Programme: Artifice Co-produced by the NFB, The Apollo of Gaza recalls Orson Welles’s documentary F for Fake in its mesmerized exploration of the blurred lines between reality
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