RIDM 2016's retrospective of the films of Deborah Stratman displayed a breadth of techno-aesthetic approaches about landscapes and systems.
Keep ReadingKorean filmmaker and artist Jero Yun’s Mrs. B, a North Korean Woman traces the complicated, dangerous life of its eponymous protagonist.
Keep ReadingHavarie belongs within a broadly defined notion of the essay film genre, and also exhibits a true experimentalism, all while never compromising documentary integrity.
Keep ReadingRaving Iran gets very touching when we see Anoosh and Arash ecstatically releasing themselves and partygoers during the desert rave and, after a big story turn, in Switzerland. They are “floating,” as
Keep ReadingEryk Rocha’s Cinema Novo avoids a pedagogical, talking heads approach to documenting the Brazilian New Wave filmmaking of the 1960s and 1970s.
Keep ReadingA report on music-themed documentaries at the 2015 Montreal International Documentary Festival (RIDM).
Keep ReadingThe hottest ticket at this year’s Rencontres internationals documentaires de Montreal (RIDM) was Abbas Fahdel’s Homeland: Iraq Year Zero. At RIDM’s closing ceremony, the film won the Best International Feature Prize as
Keep ReadingA report on documentaries from RIDM 2015 including Field Niggas, Of the North, 88:88, and Ah Humanity.
Keep ReadingAlethea Arnaquq-Baril discusses the documentary of the North, its controversial use of Inuit images, and the power of representation.
Keep ReadingGreat performers create art that enriches our lives. So do documentarians like Kral, who tell real-life stories like Our Last Tango
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