Ouvertures (France/Haiti/UK, 132 min.) Dir. Louis Henderson & Olivier Marboeuf In the opening chapters of Ouvertures, directed by Louis Henderson and Olivier Marboeuf, we are far from Haiti. The overwhelming whiteness of a wintry
Keep ReadingThe Two Sights (Canada/UK 87 min.) Dir. Joshua Bonnetta In a 1998 paper entitled The Ghost in the Machine, engineer Vic Tandy drew a line between infrasound and paranormal activity. According to his
Keep ReadingSurveying the festival sidebar devoted to feature debuts by Canadian female filmmakers, including winner Don't Worry, the Doors Will Open.
Keep ReadingThe 22nd annual RIDM included two feature films that were framed as following the lives of street dogs, but ultimately gave way to human stories.
Keep ReadingPresent.Perfect. (USA/Kong, 124 min.) Dir. Shengze Zhu In 2017, over 422 million Chinese followed online “anchors,” linking up to their “showrooms.” The “anchors” are video bloggers live-streaming whatever is going on in
Keep Readingn the Name of Scheherazade or the First Beergarden in Tehran (Germany, Iran 75 minutes) Dir. Narges Kalhor A playful mashup of styles and subject matter, Narges Kalhor’s movie typifies an accelerating
Keep ReadingDemonic (Australia 28 minutes) Dir. Pia Borg screens with: The Giverny Document (US France 42 minutes) Dir. Ja’Tovia Gary In the International short and medium length competition at RIDM, Demonic and
Keep ReadingAndrey Tarkovsky. A Cinema Prayer (Italy/Russia/Sweden, 97 min.) Dir. Andrey A. Tarkovsky Back in the day, I thought that seeing the latest Andrey Tarkovsky film was obligatory. What other filmmaker got so deeply in
Keep ReadingBelonging (Turkey/Canada/France, 72 min.) Dir. Burak Çevik A true crime story and a love story, Belonging keeps its main characters offscreen until well into the film at which point we see them played by
Keep ReadingOverseas (Belgium, France 90 minutes) Dir. Sung-A Yoon Recalling Alfonso Cuarón’s Roma, Overseas opens on a four minute fixed take of a domestic servant at work. In Korean filmmaker Sung’s understated exposé doc, we watch
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