Do Not Expect Too Much from the End of the World tackles the exploitation of labour, the free market economy, racism, sexism, and other topics.
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Revisiting the 2014 documentary Next Goal Wins ahead of Taika Waititi's take on the American Samoan soccer team's inspiring underdog tale.
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Zaida Carmona's humorous hybrid autofictionGirlfriends and Girlfriends is a clever sex farce and observation of Millennial life.
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An interview with Saint Omer director Alice Diop on creating a new cinematic language between fiction and non-fiction.
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Drunken Birds (Les oiseaux ivres), directed by Ivan Grbovic and co-written/shot by Sara Mishara, will represent Canada in this year's Oscar race for Best International Feature.
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How many love stories can say they’ve spanned decades, crossed borders, and traversed genres? A tender tale of migration and belonging fuels Heidi Ewing's hybrid drama I Carry You with Me.
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Musical Dear Evan Hansen, starring Blen Platt, Julianne Moore, and Amy Adams, is this year’s TIFF opening night Gala.
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As documentary filmmakers increasingly adopted the narrative structure and storytelling strategies of fiction films, fiction filmmakers reciprocated, borrowing heavily from the documentary form to imbue their works with a greater sense of
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Philippe Falardeau opens the 70th Berlin International Film Festival with the world premiere of his coming-of-age film My Salinger Year — “based on a true story,” a recurring disclaimer on Berlinale screens.
Keep ReadingOne Day in the Life of Noah Piugattuk (Canada, 113 min.) Dir. Zacharias Kunuk One Day in the Life of Noah Piugattuk is a comedy of manners that is no laughing matter. The
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