Do Not Expect Too Much from the End of the World tackles the exploitation of labour, the free market economy, racism, sexism, and other topics.
Keep ReadingRevisiting the 2014 documentary Next Goal Wins ahead of Taika Waititi's take on the American Samoan soccer team's inspiring underdog tale.
Keep ReadingZaida Carmona's humorous hybrid autofictionGirlfriends and Girlfriends is a clever sex farce and observation of Millennial life.
Keep ReadingAn interview with Saint Omer director Alice Diop on creating a new cinematic language between fiction and non-fiction.
Keep ReadingDrunken Birds (Les oiseaux ivres), directed by Ivan Grbovic and co-written/shot by Sara Mishara, will represent Canada in this year's Oscar race for Best International Feature.
Keep ReadingHow many love stories can say they’ve spanned decades, crossed borders, and traversed genres? A tender tale of migration and belonging fuels Heidi Ewing's hybrid drama I Carry You with Me.
Keep ReadingMusical Dear Evan Hansen, starring Blen Platt, Julianne Moore, and Amy Adams, is this year’s TIFF opening night Gala.
Keep ReadingAs documentary filmmakers increasingly adopted the narrative structure and storytelling strategies of fiction films, fiction filmmakers reciprocated, borrowing heavily from the documentary form to imbue their works with a greater sense of
Keep ReadingPhilippe Falardeau opens the 70th Berlin International Film Festival with the world premiere of his coming-of-age film My Salinger Year — “based on a true story,” a recurring disclaimer on Berlinale screens.
Keep ReadingOne Day in the Life of Noah Piugattuk (Canada, 113 min.) Dir. Zacharias Kunuk One Day in the Life of Noah Piugattuk is a comedy of manners that is no laughing matter. The
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