William Shatner offers a rambling bit of insight into his career in Alexandre O. Philippe's latest documentary, You Can Call Me Bill.
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An interview with Gaucho Gaucho directors Michael Dweck and Gregory Kershaw about capturing the mythology of an Argentine culture.
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Chris Smith's Devo feels weirdly normal for a portrait of the counter-cultural rock group that defied convention.
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An interview with Sugarcane directors Julian Brave NoiseCat and Emily Kassie about their Sundance award winning documentary that probes the ongoing violence of residential schools.
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Seeking Mavis Beacon follows two women on the hunt for the woman who was the face of a 1987 typing program, but deeper truths get lost when personal matters override the clues.
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Thevevents of the January 6, 2021 insurrection at the Washington Capitol inspire a simulation to protect democracy's downfall in War Game.
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Dawn Porter chronicles the life and work of music icon Luther Vandross in Never Too Much, an overdue portrait of the man and his music.
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Skywalkers: A Love Story offers a thrilling romance about rooftoppers taking their passion to the extreme.
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The Greatest Night in Pop revisits the 1985 January night in which stars like Michael Jackson and Steve Wonder united to record We Are the World.
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Johan Grimonprez's Soundtrack to a Coup d'État riffs on the history of the Congo amid the cold war with a jazzy tour through the archives.
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