Mantas Kvedaravičius's Mariupolis 2, presented at the Cannes Film Festival mere weeks after the director's death, is a collection of the rough footage he left behind.
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Ketevani Kapanadze discusses the documentary How the Room Felt and entering the intimate safe spaces of queer people in Georgia.
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In A House Made of Splinters, Simon Lereng Wilmont offers a companion to The Distant Barking of Dogs with his look at Ukraine's children.
Keep ReadingThe Distant Barking of Dogs (Denamrk/Finland/Sweden, 86 min.) Dir. Simon Lereng Wilmont “Every dog is a lion in its own house.” It is almost a cliché at this point for documentaries
Keep ReadingThe Babushkas of Chernobyl (USA, 71 min.) Dir. Holly Morris, Anne Bogart The world’s most catastrophic nuclear power plant accident, the Chernobyl Disaster, occurred on April 26 1986 in Pripyat, in
Keep ReadingRodnye (Close Relations) intertwines personal and collective history as Mansky interrogates his Ukrainian heritage after living in Russia
Keep ReadingIn Almost Holy, Steve Hoover observes the work of Gennadiy “Pastor Crocodile” Mokhnenko, a priest who runs an orphanage for street children.
Keep ReadingWinter on Fire captures visceral images from within the thick of a struggle and proves that recording history is a vital political act.
Keep ReadingUkraine Is Not a Brothel hinges on a third act twist that is absolutely fascinating, and ultimately throws into question all we understand about FEMEN.
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