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Cuba

Tamara Segura Opens Familial Wounds in Seguridad

by Rachel Ho
April 25, 2024
Hot Docs/Interviews

An interview with Seguridad director Tamara Segura about revisiting her past and getting her family to discuss painful memories of her father.

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The Eighth Floor Review: The Exile in Cuba

by Alejandra De La Huerta
February 26, 2024
Reviews

The Eighth Floor by Pedro Ruiz shares the story of former FLQ member Jacques Lanctôt in a hybrid film with a poetic twist.

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Epicentro Review: Confronting Cinema’s Colonial Gaze

by Pat Mullen
October 2, 2020
Reviews

Epicentro (Austria/France, 109 min.) Dir. Hubert Sauper “Cinema is witchcraft,” says one participant in Epicentro. The latest doc from Hubert Sauper (Darwin’s Nightmare, We Come as Friends), Epicentro confronts the power of images—how they lie, how

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Review: ‘Give Me Future’

by Maurie Alioff
May 7, 2017
Hot Docs/Reviews

Give Me Future (USA/Cuba, 85 min.) Dir. Austin Peters Programme: Artscapes (Canadian Premiere)   Before The Stones rolled into Cuba for their 2016 Havana Moon show, Major Lazer drew huge crowds of

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Che, Fidel and Me

by Peter Davis
November 1, 2009
Features

What was Cuba like in the Sixties when the Revolution was young? A veteran filmmaker shares his memories.

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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It's a date! 💘 Ahead of its premiere at @viffest, It's a date! 💘

Ahead of its premiere at @viffest, get you first look at Joella Cabalu's @onf_nfb doc #FirstComesLove.

📽 VIFF 

🔗 Link in bio

#movies #viff2026 #romcom #trailers
A must-see music doc gets an upgrade. 🎵 Larry Wei A must-see music doc gets an upgrade. 🎵

Larry Weinstein walks us through the magic of #SeptemberSongs as it gets a restoration 30 years later. 

📽 @hotdocs_ Sept 25

🔗 link in bio

#music #kurtweill #movies #film
How does #Rush carry on without Neil Peart? 🥁 Sam How does #Rush carry on without Neil Peart? 🥁

Sam Dunn and Scot McFadyn tell us about honouring the late drummer in NEIL PEART: NO ONE'S DISCOPLE as the band looks for someone to keep the beat.

📖 Issue 126 - on stands now!

🔗 link in bio

📽 No One's Disciple is now streaming on Gem

#rush #neilpeart #music #film
🚨 A documentary opening in Toronto for a full week 🚨 A documentary opening in Toronto for a full week? And it's not a music doc?

John Wilson’s THE HISTORY OF CONCRETE makes construction season just a little sweeter. 👷‍♂️

📽 open in theatres Sept. 25 incl @cineplexmovies Varsity

🔗 Review in bio. 

#TheHistoryOfConcrete #JohnWilson #movies #concrete #moviereview
The @windsorfilmfest announced its full lineup! The @windsorfilmfest announced its full lineup! 

📽  232 features

🏆 4 docs in competition

🍿 11 days of movies

🔗 link in bio for full lineup!

And stay tuned for recommendations from this year's fest. 

#wiff #basbook #ladiesandgentlemenbrianmulroney #NekaiWalks #runterryrun
From music docs to Musk, our report in @tiff_net D From music docs to Musk, our report in @tiff_net Docs is in!

Highlights from this year's festival include (but not limited to!) Bleeding Hearts, Musk, Union Town, Mulroney, and Gail in a strong year for both Canadian and U.S. documentary. 

🔗 link in bio

#tiff26 #tiffdocs #tiff #documentary #moviereview
There's no crying in the arena! 🐎 #Cheyenne direc There's no crying in the arena! 🐎

#Cheyenne director Taimi Arvidson and riders Allysa Spierings and Emily Collits tell us about bucking bronc and the importance of getting back in the saddle. 

🔗 Full interview at POVmagazine.com

#tiff26 #bronco #horseriding #movies
Producer Mark Selby accepts the People's Choice Do Producer Mark Selby accepts the People's Choice Documentary Award for DARLENE LOVE: I KNOW WHERE I'VE BEEN, directed by Betty Avrich. (Back to back wins!)

#tiff26 #documentary #tiff #darlenelove #movies
We have lots more reviews to inspire some last day We have lots more reviews to inspire some last day rush line choices! #tiff26

🔗 povmagazine.com (Link in bio)

Stay tuned for some more interviews and our TIFF Docs report.

#moviereviews #Lisa #Everest #tiff
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Two figures sit on a rooftop, facing each other, in conversation. It is a dark night and the figure on the left is completely obscured by shadow. On the right is an Israeli man.

NAZA Review: Or, How to Score Bonus Points During a Genocide

October 1, 2026
Nannika, representing the alhukwala (medicine person), stands during the sputc ceremony in Bella Coola Valley. The ceremony marks a return to ancestral practice after the collapse of the ooligan run.

The Documentary Side of VIFF 2026: Some Highlights

September 30, 2026
The image shows a large wall of surveillance monitors that capture various aspects of urban life. In the foreground of the picture is the back of a man operating a control panel while facing the wall of monitors. He is wearing a black-sleeved shirt and his hand is manoeuvring a joystick to control the gaze of the monitors.

The Sandbox Trailer: What Happens When You Remove Humans from a Global Crisis?

September 30, 2026
Two women--one Filipina, one white--stand up and lean over a table to share a kiss.

First Comes Love: Nakabingwit Trailer Highlights a Rare Documentary Rom-Com

September 27, 2026
Singer Nick Cave performs in close-up facing the camera. His hands are open-palm forward towards the lens. He has long brown hair and appears in a warehouse.

Larry Weinstein’s September Songs Plays as Fresh as Ever

September 26, 2026

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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