In The Clock, Christian Marclay has offered 24 hours of fragmented time, a day’s worth of transformative moments.
Ed Barreveld had a strong year with hits like The World Before Her and Herman's House, yet the state of broadcasting leaves him looking for work.
Starlight: The Canadian Movie Channel, helmed by Norm Bolen and backed Robert Lantos, could really help Canadian creators and audiences.
Paul Saltzman reflects on his films including The Last White Knight and Prom Night in Mississippi over cover at TIFF's Canteen.
After a long career devoted to documentary, do I think that it is intrinsic to the Canadian way of life? Yes, I do.
An interview with Maya Gallus and Justine Pimlott on their work with Red Queen Productions with docs like Dish, Hot Rollers and Girl Inside.
For director and cinematographer Martin Duckworth, cameras are instruments for finding beauty, no matter how ordinary what he films might be.
Engraved on a Nation features sports docs by Larry Weinstein, Paul Cowan, John Walker, Shelley Saywell, Barry Greenwald, Charles Officer, Manfred Becker and Christie Callan-Jones.
POV's 2012 Focus on Education survey looks at Concordia, New Brunswick Community College, Miramichi Campus, and College of the North Atlantic: Media Arts Centre.
Why Poverty?, an international crossmedia initiative that’s both a spiritual sequel to 2007’s successful Why Democracy? campaign and a freestanding initiative