Ping’an yueqing might be Ai Weiwei's most engaged work of activism as a filmmaker with its chilling portrait of China under surveillance.
Brett Gaylor responds to Sergeo Kirby's article "The Interactive Paradox" and highlights the success and innovation of digital documentary.
POV is sad to hear of the passing of prolific doc-filmmaker and innovator Colin Low. In memory of the filmmaker’s commitment to Canadian film, POV would like to share this interview with Colin Low conducted by Marc Glassman and Wyndham Wise for the former Take One.
Abbas Kiarostami’s hybrid films draw upon documentary, neo-realism, and dramatic filmmaking, and blur the lines of fiction/non-fiction.
Niobe Thompson and Darren Fung discuss their epic mini-series The Great Human Odyssey and its accompanying live-score orchestration.
Part 3 of POV's 2015 Focus on Education survey reports on the drama at film programs in Canadian colleges and universities.
Part 2 of POV's 2015 Focus on Education survey looks at film programmes at Carleton University, Queen's University, U of T, NSCAD, Fanshawe College, the University of Manitoba, and Concordia.
Part 1 of POV's_7th annual Focus on Education issue profiles UBC, Vancouver Film School, Simon Fraser University, Emily Carr University of Art + Design, Capilano University, and Banff Centre.
This year’s school special, POV’s seventh, takes an unusual approach. Our aim is to portray each school in a documentary style—or as close to one as the written word in a magazine will allow.
Star Men follows stargazers Roger, Donald, Nick, and Wal, four lifelong friends whose work collectively advanced the field of astronomy.