An interview with director Lixin Fan about his latest documentary I Am Here, which tackles China's One-Child Policy and Generation Y's fight for individuality.
Dreams and despair share the frame in National Diploma, for Hamadi observes the students’ glory as well as their pain.
The Kingdom of Dreams and Madness is a respectful portrait of Hayao Miyazaki and the animation palace of Studio Ghibli.
The Wanted 18 is one of the most entertaining and enlightening films you’ll see this year with its animated cows fighting for freedom.
In Beats of the Antonov, the range of voices, languages, and beats shows the fallacy of imposing one majority culture by force.
Joshua Oppenheimer follows his The Act of Killing with The Look of Silence: The killers had their story, and now the victims have theirs.
The animated documentary The Wanted 18 is a microcosmic reflection of the Israeli-Palestinian conflict with its offbeat Claymation cows.
Sturla Gunnarsson's Monsoon is a majestic new documentary shot on location in India and beneath torrents of relentless rain.
Tell me about yourself,” says an off-screen Alanis Obomsawin to Randy Horne, the subject of her short documentary Spudwrench: Kahnawake Man (1997). This type of inquiry is, of course, essential to any documentary practice—it’s the kind of curiosity that inspires filmmakers to engage with, and ultimately represent, worlds outside of their own. But in the
Tips and advice for filmmakers from publicists and industry PR veterans about strategies for a successful film premiere.