Is Raymond Depardon a photographer who is also a filmmaker, or vice versa? The question arises as one contemplates the truly prodigious 60-year output of this enigmatic visual artist,
Pink Ribbons, Inc. challenges us to ask harder questions, to be skeptical, rather than just say what’s the harm in raising money for breast cancer research?
Tahani Rached’s films, in addition to bringing much needed perspectives on contemporary issues, are also timeless in their reach.
Does canonizing a small (in historical and stylistic terms) range of works only serve to limit the possibilities of documentary?
Dutch doc maker Leonard Retel Helmrich applies camera wizardry to compassionate tales of his mother’s native Indonesia.
Montreal's film festival scene is booming as competition grows between Festival des Films du Monde, Festival du Nouveau Cinéma, and RIDM.