The interrogation of Hans Blix's handling of the Iraq arms question is made all the more fascinating by the blind spots one sees in Blix Not Bombs.
Keep ReadingBenoît Bringer's The Rise of Wagner covers the story of the Wagner mercenary group and its ties to Putin, albeit a bit superficially for viewer who have followed the story.
Keep ReadingThe downing of Malaysian Airlines Flight 17 in Ukraine receives an urgent and unconventional look in Roman Liubyi's hybrid film Iron Butterflies.
Keep Reading20 Days in Mariupol director Mstyslav Chernov urgently captures Ukraine's unfolding war.
Keep ReadingAn interview with In Her Hands directors Tamana Ayazi and Marcel Mettelsiefen about profiling young mayor Zarifa Ghafari as she fights for the rights of Afghan women amid the Taliban's resurgence.
Keep ReadingCiné-Guerrillas: Scenes from the Labudović Reels sees director Mila Turajic revisit the resistance to the French Occupation in Algeria through an archive of newsreels.
Keep ReadingPatrick Dell observes the art and weight of photojournalism in Shooting War by sharing the experiences of visual reporters who document the atrocities of war.
Keep ReadingMantas Kvedaravičius's Mariupolis 2, presented at the Cannes Film Festival mere weeks after the director's death, is a collection of the rough footage he left behind.
Keep ReadingIn A House Made of Splinters, Simon Lereng Wilmont offers a companion to The Distant Barking of Dogs with his look at Ukraine's children.
Keep ReadingSuperficially, every war is binary in its construction. There is one side versus another, a dialectic of destruction where one side claims the moral high ground. Rules of engagement are often based
Keep Reading