The interrogation of Hans Blix's handling of the Iraq arms question is made all the more fascinating by the blind spots one sees in Blix Not Bombs.
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Benoît Bringer's The Rise of Wagner covers the story of the Wagner mercenary group and its ties to Putin, albeit a bit superficially for viewer who have followed the story.
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The downing of Malaysian Airlines Flight 17 in Ukraine receives an urgent and unconventional look in Roman Liubyi's hybrid film Iron Butterflies.
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20 Days in Mariupol director Mstyslav Chernov urgently captures Ukraine's unfolding war.
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An interview with In Her Hands directors Tamana Ayazi and Marcel Mettelsiefen about profiling young mayor Zarifa Ghafari as she fights for the rights of Afghan women amid the Taliban's resurgence.
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Ciné-Guerrillas: Scenes from the Labudović Reels sees director Mila Turajic revisit the resistance to the French Occupation in Algeria through an archive of newsreels.
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Patrick Dell observes the art and weight of photojournalism in Shooting War by sharing the experiences of visual reporters who document the atrocities of war.
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Mantas Kvedaravičius's Mariupolis 2, presented at the Cannes Film Festival mere weeks after the director's death, is a collection of the rough footage he left behind.
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In A House Made of Splinters, Simon Lereng Wilmont offers a companion to The Distant Barking of Dogs with his look at Ukraine's children.
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Superficially, every war is binary in its construction. There is one side versus another, a dialectic of destruction where one side claims the moral high ground. Rules of engagement are often based
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