Chloé Zhao’s films illustrate how one can serve subjects’ experiences fairly by making them active participants and ensuring that their perspectives are the dramatic focus.
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No Ordinary Man brilliantly rewrites the past as directors Aisling Chin-Yee and Chase Joynt and writer Amos Mac correct the story of jazz musician Billy Tipton through voices he inspired.
Keep ReadingBloody Nose, Empty Pockets (USA, 98 min.) Dir. Bill Ross IV, Turner Ross I haven’t been to a bar in four months thanks to this ongoing pandemic. However, as much as the
Keep ReadingHamilton (USA, 160 min.) Dir. Thomas Kail Let’s get the suspense over right away. Hamilton, the genre-busting hip-hop musical about one of America’s Founding Fathers, is a triumph. Thomas Kail’s film documents the
Keep ReadingTales from a Prison Cell (Hungary/Croatia/UK, 80 min.) Dir. Ábel Visky Programme: Artscapes (World Premiere) A Hungarian prison might not be the place one expects to encounter uplifting children’s stories. However, Tales from
Keep ReadingBare (Belgium, 94 min.) Dir. Aleksandr M. Vinogradov Programme: Artscapes (World Premiere) Editions of Hot Docs in the post-#MeToo era might lead cinephiles to believe that all men are dicks. This year,
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Anne at 13,000 ft is bracingly and kinetically edited to convey the maddening rush of the dive from the air and, as the pieces fall into place, Radwanski and Campbell leave a
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Heather Young discusses her hybrid drama Murmur, which brings the story of a recovering addict who volunteers at an animal shelter to this year's Toronto International Film Festival.
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Max Lewkowicz’s documentary Fiddler: Miracle of Miracles assess the longevity of Fiddler on the Roof as it become more relevant than ever in Trump’s America.
Keep ReadingFraming John DeLorean (USA, 109) Dir. Sheena M. Joyce and Don Argott Programme: Special Presentations (International Premiere) “When the legend becomes fact, print the legend,” says newspaperman Maxwell Scott (Carleton Young) in
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