In 1990, Luben Boykov and Elena Pokova fled communist Bulgaria, saying goodbye to their friends and family, not knowing if they would see them again. “Traitors to Communism!” Russian KGB agents shouted
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Is there any sight quite as romantic as a sunset? Dominque Keller provides three portraits of enduring love in Love: The Last Chapter. This sweet slice of life doc observes a trio
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An interview with director Courtney Montour about Mary Two-Axe Earley: I Am Indian Again, honouring the Mohawk activist, and drawing upon the work of Alanis Obomsawin.
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Someone Like Me and One of Ours intimately confront identity and belonging.
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Elle-Máijá Tailfeathers’ Kímmapiiyipitssini: The Meaning of Empathy weaves together a broad portrait of the impact of settler colonialism on Blackfoot people, through firsthand experiences of people with substance use disorder, and the
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Having a cinematic tradition that is inexorably linked to the documentary means that the battle between Canadian labour and multinational big business has been well-documented. Since its inception, documentary filmmakers working with
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DOC responds to the NFB’s strategic plan with steps that include restoring production spending and committing to greater racial and filmmaker representation.
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"You can’t afford to not have hope. The one thing you can do when you think about what’s happening to trees, is to plant a tree."
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The End of Certainties would be especially valuable for educational purposes, finding its place in curricula on the topic of globalization. Ultimately the film leaves you wondering what these people would be
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Michelle Latimer's Inconvenient Indian adapts the popular book by Thomas King and shatters colonial narratives about Indigenous people. history and representation.
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