The Apollo of Gaza (Switzerland/Canada, 78 minutes) Dir: Nicolas Wadimoff Programme: Artifice Co-produced by the NFB, The Apollo of Gaza recalls Orson Welles’s documentary F for Fake in its mesmerized exploration of the blurred lines between reality
Keep ReadingSince the creation of the Vancouver and Montreal based studios, interactive works and VR have taken off and the Board has expanded production in new media across the country.
Keep ReadingThe Song and the Sorrow (Canada, 43 min.) Dir. Millefiore Clarkes Anne Murray’s “Snowbird” is a buoyant and breezy ray of sunshine that helped put Canadian music on the map. Listen closely
Keep ReadingTalking to Astra Taylor is a little like watching her documentary What is Democracy? You get the feeling that you’re in the company of a very smart person, erudite and politically astute, but she’s
Keep ReadingWall (Canada, 78 min.) Dir. Cam Christiansen In 2018, “wall” is a volatile word. Donald Trump’s oft-threatened wall on the USA/Mexico border epitomizes the current White House administration’s deranged, sensationalist, and polarizing attitude
Keep ReadingThis is the story of a voice, its documentary roots, its skilful theatricality, and its impact on the culture and technology. How Canadian actor Douglas Rain gave his voice to 2001: A
Keep ReadingWhat Walaa Wants (Canada/Denmark, 89 min.) Dir. Christy Garland Canadian Spectrum (North American Premiere) On the surface What Walaa Wants is a film about a young girl who wants to join
Keep ReadingMy War (Canada, 98 min.) Dir. Julien Fréchette Programme: Canadian Spectrum (World Premiere) Does the fog of war also cloud over a war documentary? That seems to be the case with
Keep ReadingLove, Scott (Canada, 76 minutes) Dir: Laura Marie Wayne Programme: Canadian Spectrum (North American Premiere) In 2013, Scott Jones was stabbed outside a bar in New Glasgow, Nova Scotia. Though he
Keep ReadingFrom the first shot of Jean-François Caissy’sFirst Stripes, you know you’re in for something more interesting than the usual Hot Docs fare.
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