River Silence (Canada, 90 min.) Dir. Rogério Soares Programme: Canadian Spectrum (World Premiere) The New York Times film critic Manohla Dargis is an expert on “miserablism.” She has a keen eye for spotting this
Keep ReadingWhen the five-minute concept was first embraced by cultural activists, its theory was simple: multiple performances of that length by diverse creators was guaranteed to keep an audience interested. And if you
Keep ReadingFor 50 years, the National Film Board of Canada’s logo was a familiar sight when you were near their building on Côte-de-Liesse Road in Ville St. Laurent.
Keep ReadingTasha Hubbard's nîpawistamâsowin: We Will Stand Up examines the murder of Colten Boushie and the legacy of colonial violence that underscored the trial of Gerard Stanley.
Keep ReadingThat Higher Level (Canada, 75 min.) Dir. John Bolton This one time, at band camp, the NFB made a documentary. That Higher Level goes behind the scenes with the devoted flutists, tromboners, violinists, and other
Keep ReadingWhat is Democracy? (Canada, 107 min.) Dir. Astra Taylor If Astra Taylor wanted to find some easy answers, she could have travelled the world and asked people, “What is a lemon?” Her
Keep ReadingThe Apollo of Gaza (Switzerland/Canada, 78 minutes) Dir: Nicolas Wadimoff Programme: Artifice Co-produced by the NFB, The Apollo of Gaza recalls Orson Welles’s documentary F for Fake in its mesmerized exploration of the blurred lines between reality
Keep ReadingSince the creation of the Vancouver and Montreal based studios, interactive works and VR have taken off and the Board has expanded production in new media across the country.
Keep ReadingThe Song and the Sorrow (Canada, 43 min.) Dir. Millefiore Clarkes Anne Murray’s “Snowbird” is a buoyant and breezy ray of sunshine that helped put Canadian music on the map. Listen closely
Keep ReadingTalking to Astra Taylor is a little like watching her documentary What is Democracy? You get the feeling that you’re in the company of a very smart person, erudite and politically astute, but she’s
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