Claude Joli-Coeur, Julie Roy, and Jérôme Dufour discuss the 2020-2023 strategic plan released by the National Film Board of Canada (NFB), which emphasizes creators and audience engagement
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In As the Crow Flies, director Tess Girard captures a visually stunning journey through the clouds piloted by a group of young recruits of the Royal Canadian Air Cadets, many not yet
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Into the Light brings discussions about domestic violence in Canada’s immigrant communities into the open and refreshingly destigmatises the act of speaking out.
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For many anglophones inside and outside of Quebec, the October crisis represents the first time many considered the unequal treatment of French Canadians within the country. We mark its 50th anniversary with
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John Ware Reclaimed is an engaging and insightful film that brings Ware’s legacy to the forefront—where it should have been in the first place.
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Jennifer Abbott harnesses a new emotion that films about climate change have yet to experience: grief. The Magnitude of All Things moves with the unshakable sensation of grief and loss.
Keep ReadingInconvenient Indian (Canada, 90min.) Dir. Michelle Latimer Programme: TIFF Docs (World Premiere) Given the deserved attention that Michelle Latimer has garnered during this festival season, it’s important to realize the she chose to work in the
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The history of a history documentary about diplomat and diarist Charles Ritchie that didn’t get made, and why history can be a pain in the neck.
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-Ariel Nasr’s NFB film The Forbidden Reel shares rare excerpts from classic Afghan cinema and images of life pre-Taliban.
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Director Michèle Stephenson discusses her winner of Hot Docs’ Special Jury Prize for Canadian features, Stateless, a compelling study of institutionalized racism past and present in Haiti and the Dominican Republic.
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