What can one read from the archival documentaries by Adam Curtis, like HyperNormalisation and Century of the Self?
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A look back at three pioneering photographer-filmmakers: Paul Strand, Helen Levitt, and Gordon Parks and their contribution to documentary.
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If Canada is to live up to its egalitarian promise, the mandate of the police and the security state must be radically rethought and restructured. In bearing witness and deepening understanding, documentaries
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No Ordinary Man, which tells the story of American jazz pianist and trans man Billy Tipton, is no ordinary music documentary. Aisling Chin-Yee and Chase Joynt bring contemporary relevance by foregrounding present-day
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An appreciation of late experimental film maverick Barbara Hammer who broke ground with formally inventive and daring works that emphasized lesbian visibility, including Superdyke, Maya Deren's Sink, and A Horse Is Not
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Has anyone noticed, that the most untruthful American president in history came to office surrounded with documentary filmmakers? Is the difference between Michael Moore and Donald Trump simply one of degree?
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Often podcasting networks would relegate racialized stories to their race podcast, simultaneously profiting off of appearing “woke” while limiting the scope of stories that could be told and who would hear them.
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On November 25, 2020, POV mailed its latest issue, #113 (Fall/Winter 2020) to subscribers. This issue featured the cover story on the documentary Inconvenient Indian and its director, Michelle Latimer. This article
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Chloé Zhao’s films illustrate how one can serve subjects’ experiences fairly by making them active participants and ensuring that their perspectives are the dramatic focus.
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Michelle Latimer's Inconvenient Indian adapts the popular book by Thomas King and shatters colonial narratives about Indigenous people. history and representation.
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