Omne trium perfectum goes the Latin maxim: Everything that comes in threes is perfect, a mnemonic aide familiar to fairy tales, worship rituals and public speaking. It also provides the enigmatic title of
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Maya Gallus's The Heat asks why women so rarely enjoy prominent roles as chefs when they are traditionally masters of kitchens in the domestic sphere.
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Hot Docs’ worthy recipient of the 2018 Don Haig Award, Ina Fichman, discusses her new films Laila at the Bridge and The Oslo Diaries and a prolific career in documentary.
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One of the highlights of Hot Docs 2018 was the International Premiere of director-producer’s Liz Garbus’s The Fourth Estate, an ambitious exploration of The New York Times as the publication’s staff grapples
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In Faith Hope Love, a new documentary that just premiered at the 25th edition of Hot Docs Canadian International Documentary Festival, director Katja Fedulova examines the role of women in modern-day Russia.
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Grant Baldwin's This Mountain Life is a thrilling and beautifully shot odyssey through the Coastal Mountains of British Columbia.
Keep Reading"The birth of every film is unique. There is no firm recipe to follow. Of course, it starts with some kind of idea and ambience, a feeling that I want to pass
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Rachel Grady and Heidi Ewing discuss One of Us, an urgent docu-thriller about individuals facing the life-altering decision to leave their conservative Hasidic community.
Keep ReadingLaunching TIFF’s doc section, Sophie Fiennes’s film Grace Jones: Bloodlight and Bami gave the audience at its first public screening the taste of ecstasy they hoped for. Both Fiennes and the living icon revelled
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With music by Philip Glass and no talking heads, Jane will delight people who know about ecology and the animals but are genuinely in Ms. Goodall’s life as well.
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