Subscribe today to get POV #125 and be among the first to read about docs like Antidiva: The Carole Pope Confessions, The Sandbox, and Once Upon a Time in Harlem.
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How films like Okuirmono, The Nest, and This House explore the histories embedded within the walls of our family homes.
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How mockumentaries like The Dirties, Punishment Park, and The Clowns play with our suspension of disbelief and the line between fiction and non-fiction.
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Documentaries reflect stories from Israel and Palestine with varying struggles to be seen and heard--and to satisfy everyone amid the culture wars.
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A snapshot of a few exemplary sibling-director duos who have contributed to documentary filmmaking throughout history, from the Lumières to the Maysles to the Rosses.
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What does it take to make a documentary monster movie? Films like De Humani Corporis Fabrica, Caniba, and Our Body explore real body horror.
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Painting with John, How To with John Wilson, and All Gas No Brakes reinvent (documentary?) comedy.
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If Canada is to live up to its egalitarian promise, the mandate of the police and the security state must be radically rethought and restructured. In bearing witness and deepening understanding, documentaries
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Jessica Beshir’s lyrical Faya Dayi and Daniel Kötter’s formalist Rift Finfinnee, two oddly similar films set in an Ethiopia struggling with the upheavals of urbanization and industrialization, are almost excellent movies. Both
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Has anyone noticed, that the most untruthful American president in history came to office surrounded with documentary filmmakers? Is the difference between Michael Moore and Donald Trump simply one of degree?
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