Chloé Zhao’s films illustrate how one can serve subjects’ experiences fairly by making them active participants and ensuring that their perspectives are the dramatic focus.
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As documentary filmmakers increasingly adopted the narrative structure and storytelling strategies of fiction films, fiction filmmakers reciprocated, borrowing heavily from the documentary form to imbue their works with a greater sense of
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For many anglophones inside and outside of Quebec, the October crisis represents the first time many considered the unequal treatment of French Canadians within the country. We mark its 50th anniversary with
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The history of a history documentary about diplomat and diarist Charles Ritchie that didn’t get made, and why history can be a pain in the neck.
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Down with access, impact, and story! Let’s reclaim what we value in the films we love to make, and the films we love to watch. Let’s reimagine what festivals can mean.
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Tiger King is the perfect series for our times. A show about narcissists with no sense of self-awareness, rampant cruelty masquerading as morality and law and order, all soaking in a philosophy
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What are the stories being told about the Middle East, how are they being told, and does it matter who is documenting them?
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Unfinished films, lost masterpieces, and stillborn projects assume new lives in documentary form. How The Other Side of the Wind, Shirkers, and Dune endure as non-fiction.
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When absence becomes presence, documentaries turn into art. How films like The Act of Killing and Bisbee '17 capture the void.
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Every once in a while, people appear on the political stage with compelling personal narratives and charisma to spare. They’re dedicated and passionate and demonstrate through their actions that they can persevere
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