Has the form of the city symphony changed in the 21st Century? From Manhatta to My Winnipeg, a tour through cities on film.
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Previewing POV issue 119 (Fall 2023) as our team gets to work on our next issue in time for the fall film festival circuit.
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An interview with The Tuba Thieves director Alison O'Daniel about creating an immersive sound experience unlike anything that audiences have seen (or heard) before.
Keep Reading![] In a reflection of an unmarked storefront is a grayish silhouette of a man using an electric wheelchair. Behind the man is a spectacular red and yellow circus tent.](https://povmagazine.com/wp-content/uploads/2022/01/I-DIDNT-SEE-YOU-THERE-Lead-Still-480x384.jpeg)
Director Reid Davenport discusses creating an aesthetic of radical disability and empathy.
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Carlos Lopez Estrada's Summertime is a modern city symphony film fuelled by the spoken word poetry of L.A. artists.
Keep ReadingWith Invention, Canadian contemporary artist/filmmaker Mark Lewis boldly resurrects the city symphony film.
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