Issue 87 - Fall 2012
Peter Mettler’s The End of Time is a deeply philosophical and visually stunning work of curiosity and wonder.
In The End of Time, Peter Mettler displays his signature curious, roving gaze of an artist who has learned to believe his own eyes.
Read MorePOV editor Marc Glassman and Kevin McMahon debate the latter's revolutionary suggestion that documentary is Canada's national art form.
Read More"Ever since Bell Media announced its $3.38-billion purchase (subject to regulatory approval) of Astral Media, I’ve been worried," notes our policy columnist.
Read MoreIn his wittily titled The Tower of Babble, the CBC's Richard Stursberg has written a breezy, insightful and unabashedly self-serving business-bookcum-memoir of his tempestuous tenure.
Read MoreWhile making his latest documentary, filmmaker Yung Chang learned that he had an inner fruit hunter, and a hugely passionate one at that.
Read MoreLaura Sky's non-profit SkyWorks Foundation has led to three decades of what she calls “wildly participatory” documentary filmmaking about society’s forgotten people.
Read MoreOne of the great pleasures of being at festivals is the opportunity to meet filmmakers. They can teach and inspire you.
Read MoreThe world’s oldest profession gets a perspicacious spin in a handful of judicious films at Hot Docs 2012.
Read MoreI’ve finally hit my patience limit with the paperwork required by broadcasters and funding agencies to make a television documentary.
Read MoreWhether it comes to commissioning a composer to create a score for a film or paying high fees for the permission to use songs, for a lot of documentary filmmakers, music is an afterthought.
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