Issue 73 - SPRING 2009
John Walker, director of Passage, Strand, and Men of the Deep, joins us to discuss his long career as a director and cinematographer in Canadian documentary.
Canadian Art Reel Artists Film Festival has cornered the Toronto's film festival market on contemporary documentaries about visual artists.
Read MoreAs the lone Canadian at the esteemed photography agency Magnum, Towell used a small camcorder that Sony gave to some of the company’s shooters as a proposed experiment
Read MoreThe CRTC know they’ve got to come up with a less monopolistic map of our broadcast and new media world and create conditions for new players to enter the field.
Read MoreMcKenzie profiles Michael Snow, a great Canadian icon who has made music, film and art for more than 50 years.
Read MorePart two of Marc Glassman's interview with John Walker about Passage, Strand, and learning the art of documentary from the Crawleys.
Read MoreGoldsbie examines cityscapes as sites for art and cultural renewal through the prism of a new doc by Hadley Obodiac about Canada’s urban centres.
Read MoreReflections on John Greyson and Laurie Lynd's landmark gay short film Maker of Monsters on its 20th anniversary.
Read MoreMontreal’s Festival International du Film sur l’Art (FIFA) has grown from a niche event in 1981 into a ten-day showcase of 300 films from 30 countries. Alioff previews the latest edition of the festival.
Read MoreStan Douglas’s visually complex works aren’t just mechanically and stylistically clever, they offer constellations of carefully researched historical references, and poetic and rigorous intellectualism.
Read MoreOne of Nuit Blanche 2008’s curators, Baerwaldt reflects on the art he chose - and its reception during a night of high jinx and high visibility.
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