Having attended the ZeroOne festival of electronic art and symposium of the Inter-Society for Electronic Art (ISEA), Wolfe reports on how new media will affect Canada’s indie scene in the coming few
Keep ReadingAt this year’s Hot Docs, it became clear that broadcasters are insisting on upgrading quickly to HD (high definition).
Keep ReadingKathleen M. Smith remembers Roberto Ariganello, who passed away on August 13, 2006. He was a respected filmmaker, teacher, and mentor.
Keep ReadingSince it first popped up in Toronto in the early ’90s, Cuppa Coffee has consistently taken a wide ranging approach to animation.
Keep ReadingCinemaNet Europe is more than a digital distribution network for documentary cinema. It is also a system of partner programmes in various EU countries.
Keep ReadingThe Documentary Organization of Canada's executive director confronted Telefilm Canada's Elizabeth Friesen at the Banff World Television Festival. Here's the skinny.
Keep ReadingAs the dot-com boom explodes and the digital revolution takes over, how will broadcasters adapt or, more likely, leave independents behind?
Keep ReadingWhen it first began in 1994, Hot Docs primarily showcased Canadian works--broadcast docs--and it showed. How do artists and festivals find balance?
Keep ReadingWhen it comes to financing Canadian productions, how far will the Tories go to walk the talk of rebalancing the wrongs of aggressive marginalization?
Keep ReadingPat Aufderheide’s catch words for Fair Use are: transformation, commentary, context, and taking only as much as needed to make a point.
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