An American distributor snapped up Yung Chang's Up the Yangtze at Sundance, but Canadian distributors didn't bite. What does that mean for us?
Keep ReadingThe CFC Media Lab’s Ana Serrano has created a beehive of activity culminating in Late Fragment, an interactive multi-narrative feature, which premiered at TIFF and is now being released on DVD.
Keep ReadingWatching other aspiring filmmakers struggle with their first films, I started to wonder, “Why can’t everyone have a mentor?”
Keep ReadingThe Corporation paid Telefilm back in full and, unlike most Canadian dramas, is actually making a profit for the good citizens of Canada.
Keep ReadingThe storm of protest caused by that dry-as-dust technical omnibus document, Bill C-10, shows how Canadian filmmakers rally the troops.
Keep ReadingNow HD product has a rapidly growing presence in broadcast television. There is more HD programming, TVs are bigger, designed for HD.
Keep ReadingTIFF has programmed over 25 Canadian feature films this season, yet only one of them is directed by a woman.
Keep ReadingHow will amendments to the Canadian Copyright Act influence the role of Errors & Omissions in documentary production?
Keep ReadingNearly 50% of film school students are women and it’s little wonder they quickly get soul-worn and waylaid on their way to the director’s chair.
Keep ReadingLooking at the storm of Shaw Cable Systems and the Canadian Television Fund (CTF) contribution freeze
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