The Last Out (USA, 88 min.) Dir. Sami Khan, Michael Gassert With his Oscar-nominated short St. Louis Superman, Sami Khan confirmed that a great character often makes for a great documentary. The film,
Keep ReadingJimmy Carter: Rock & Roll President (USA, 93 min.) Dir. Mary Wharton Bill Clinton often gets credit as the USA’s musical President since he plays the sax, but nobody rocked out like
Keep Reading“The mistakes that were made in the first 90 days sealed America’s fate,” says The Curve director Adam Benzine. By tapping into Easter Monday, it allows us to not have to worry
Keep ReadingOutremont and the Hasidim (Canada, 52 min.) Dir. Eric Scott What is the Yiddish word for NIMBY? A quick Google search doesn’t quite yield a perfect translation, but “schmuck” captures the term justly. NIMBYs,
Keep ReadingHerb Alpert Is… (USA, 113 min.) Dir. John Scheinfeld Baby Boomer nostalgia turns the dial up to 11 in Herb Alpert Is… This celebratory portrait of the famed trumpeter sits comfortably with the seemingly
Keep ReadingShadow of Dumont (Canada, 88 min.) Dir. Trevor Cameron The challenge of connecting personal history and collective history can be tricky. Director Trevor Cameron offers a feature documentary about his great-great uncle, Gabriel
Keep ReadingBruce Springsteen’s Letter to You (USA, 90 min.) Dir. Thom Zimny Bruce Springsteen shows no signs of slowing down at the age of 71. His new film Letter to You, which debuts alongside
Keep ReadingTotally Under Control (USA, 124 min.) Dir. Alex Gibney, Suzanne Hillinger and Ophelia Harutyunyan Totally Under Control ends with a title card informing viewers that American President Donald Trump tested positive for COVID-19 one
Keep ReadingMakongo (Central African Republic/Italy/Argentina, 72 min.) Dir. Elvis Sabin Ngaïbino Traditional grub feeds a community’s future in Makongo. This quietly effective observational film by Elvis Sabin Ngaïbino explores two men’s desire to provide
Keep ReadingEcstasy (Êxtase) (Brazil/USA, 72 min.) Dir. Moara Passoni Director Moara Passoni conjures a tango between pleasure and pain in Ecstasy. As the film’s title suggests, one emotion overrides the other among the sensations
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