Prayer for a Lost Mitten director Jean-François Lesage discusses his winner for Hot Docs’ Best Canadian Feature Award and the forgotten pleasures of urban life, told through the stories of items lost
Keep ReadingDirector Michèle Stephenson discusses her winner of Hot Docs’ Special Jury Prize for Canadian features, Stateless, a compelling study of institutionalized racism past and present in Haiti and the Dominican Republic.
Keep ReadingWood (Austria/Germany/Romania, 95 min.) Dir. Monica Lãzurean-Gorgan, Michaela Kirst, Ebba Sinzinger Program: World Showcase James Bond might be on hiatus until November, but cinephiles hankering for a spy game will appreciate Wood. The
Keep ReadingI Am Samuel (Kenya/USA/Canada, 70 min.) Dir. Pete Murimi Program: World Showcase (World Premiere) I Am Samuel is a work of true bravery. This verité-style feature directorial debut from Pete Murimi offers an
Keep ReadingTales from a Prison Cell (Hungary/Croatia/UK, 80 min.) Dir. Ábel Visky Programme: Artscapes (World Premiere) A Hungarian prison might not be the place one expects to encounter uplifting children’s stories. However, Tales from
Keep ReadingBare (Belgium, 94 min.) Dir. Aleksandr M. Vinogradov Programme: Artscapes (World Premiere) Editions of Hot Docs in the post-#MeToo era might lead cinephiles to believe that all men are dicks. This year,
Keep ReadingJean-Simon Chartier discusses his Hot Docs premiere They Call Me Dr. Miami, which profiles social media's most popular plastic surgeon and BBL booty-maker, Michael Salzhauer.
Keep ReadingCapital in the Twenty-First Century (New Zealand, 103 min.) Dir. Justin Pemberton This reviewer can’t help but smile whenever #EatTheRich trends on Twitter. The world is in an escalating crisis as the
Keep Reading“This situation has called to attention how fragile our world is,” says Spaceship Earth director Matt Wolf. “I think the Biospherians felt that in a visceral and even bodily way.”
Keep ReadingWorkhorse (Canada, 82 min.) Dir. Cliff Caines Is any animal more cinematic than the horse? The equine characters of Cliff Caines’ Workhorse seem like naturals before the camera. There is ample posing to be
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