VR experience complements her acclaimed short and feature My Enemy, My Brother
Keep Reading2020 has delivered its fair of crazy stories. However, no doc this year quite has a jaw-on-the-floor ick factor like Baby God does. This true crime/#MeToo investigation is further proof that truth
Keep ReadingObjector tells the story of Atalya Ben-Abba, who was jailed at 19 years of age when she refused to enlist in the Israeli army. Although Ben-Abba is the dominant voice in the
Keep ReadingInto the Light brings discussions about domestic violence in Canada’s immigrant communities into the open and refreshingly destigmatises the act of speaking out.
Keep ReadingNight Shot (Visión Nocturna) (Chile, 80 min.) Dir. Carolina Moscoso “I’m very sorry about the situation,” a participant writes, “but I hope your wounds heal outside the law.” This message appears among
Keep ReadingNetflix doc Shawn Mendes: In Wonder doesn’t play strictly for fans, but his core followers will most appreciate this backstage glimpse of his 2019 concert tour and look at his forthcoming album
Keep ReadingConnecting the Dots (Canada, 54 min.) Dir. Noemí Weis Spending an hour listening to stories about pain, despair, loneliness, and depression might not be atop everyone’s list during this pandemic. Everyone is
Keep ReadingThe Plastic House (Australia, 45 min.) Dir. Allison Chhorn For a film that emphasizes isolation, viewed during a prolonged period of isolation, The Plastic House conveys a remarkable sense of communion. This largely silent
Keep ReadingThe Donut King sees a passing of the crown as a new generation stakes its claim on an empire. Besides fatty foods, what is more American than that?
Keep ReadingA Crime on the Bayou (USA, 89 min.) Dir. Nancy Buirski “I have an ambivalent relationship to the term ‘allies’,” says activist Angela Davis in an archival excerpt in A Crime on the
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