Alina Orlov's The Cavalry offers an experimental portrait of Israeli apartheid seen through the eyes of a police horse trained to obey.
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Alina Orlov's The Cavalry offers an experimental portrait of Israeli apartheid seen through the eyes of a police horse trained to obey.
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An interview with Parastoo Anoushahpour on her experimental short film The Time That Separates Us, inspired by the Sodom and Gomorrah tale of Lot.
Keep ReadingAfter the endless hand-twisting debates around race in Canada’s artist movie portals – in production co-ops, in distribution joints, in cinematheques and fests – why are they still so very white? This
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“He didn’t live a double life. He lived twice.” - An appreciation of Chris Marker's influential classic La jetée
Keep ReadingThere have been rumours about a John Porter photo book for nearly as long as he has been making pictures. Kudos to editor/producer Clint Enns for making this project happen.
Keep ReadingHe tells me his dreams, sometimes, when I run into him, which is more often than not these days. It seems we are intersecting, like it or not, ready or not, but
Keep ReadingJorgen Leth: Translucent Being The Five Obstructions, a movie made with (and despite) Lars Von Trier, has pushed Jorgen Leth further into visibility on the global stage but there are long lines
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