Sergei Loznitsa's Austerlitz is an immersion in the absence of meaning, becoming a sort of nihilistic totem to the impossibility of understanding.
Keep ReadingWang Bing's Ta'ang is a vivid document of lived experience, but as a feature documentary, it could use a bit more context or inquisitiveness.
Keep ReadingI Had Nowhere To Go is an adaptation of Jonas Mekas’ memoir by Turner-prize winning artist Douglas Gordon
Keep ReadingLav Diaz’s epic films are often compared to Russian novels, and his new film, The Woman Who Left, is inspired by a Tolstoy short story.
Keep ReadingThe Ornithologist will reward anybody who wants to spend two hours on a bizarre journey with beautiful scenery.
Keep ReadingOliver Laxe's Mimosas offers strokes of absurdity and subtle thematic development contributing to an experiment in contemplative cinema.
Keep ReadingPolitics, Instructions Manual is an interesting but flawed take on a contemporary left-wing populist political movement.
Keep ReadingHermia & Helena, like Piñeiro’s previous two films, is a sort of fugue on Shakespearean themes—a sort of A Midsummer Night’s Dream remix.
Keep ReadingThe Death of Louis XIV (La mort de Louis XIV) (France/Portugal/Spain, 115 min.) Dir. Albert Serra, Writ. Albert Serra, Thierry Lounas Starring: José Wallenstein, Filipe Duarte Programme: Wavelengths (North American Premiere) A
Keep ReadingAn Insignificant Man follows the “Indian Bernie Sanders,” Arvind Kejriwal’s, 2013 campaign for Chief Minister of Delhi.
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