An interview with Parastoo Anoushahpour on her experimental short film The Time That Separates Us, inspired by the Sodom and Gomorrah tale of Lot.
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Véréna Paravel and Lucien Castaing-Taylor's new film De Humani Corporis Fabrica is among the additions to TIFF's Wavelengths programme.
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Pietro Marcello, Francesco Munzi, and Alice Rohrwacher tour Italy to ask youths how they feel about the life ahead in Futura, a refreshingly open debate about where we want to go.
Keep ReadingTIFF’s annual Wavelengths programme is one of few opportunities for Torontonians (and Canadians) to see work on the bleeding edge of film aesthetics in such a concentrated burst. It’s also, I would
Keep ReadingFirst things first: Wavelengths, the experimental and avant-garde program curated by Andréa Picard, is pretty clearly the best thing TIFF has going for it. Here, as nowhere else, the celebrity-centric mediocrity of
Keep ReadingNot all of TIFF’s docs end up in TIFF Docs. In recent years, many of the festival’s most interesting documentaries have been screened in the avant-garde program, Wavelengths. This year is no different: with
Keep ReadingCaniba (France, 90 min.) Dir. Lucien Castaing-Taylor and Véréna Paravel Programme: Wavelengths (North American Premiere) “Bring a barf bag,” was a warning I heard from a TIFF insider before I saw
Keep ReadingBeyond the One (Al di là dell’uno) (Italy/France/Germany Dir. Anna Marziano Programme: Wavelengths (World Premiere) Wavelength regular Anna Marziano’s latest film is 53 minutes long, placing it in the somewhat neglected,
Keep ReadingMrs. Fang (France/China/Germany, 86 min.) Dir. Wang Bing Programme: Wavelengths (North American Premiere) I don’t know if it’s Chinese master documentarian Wang Bing’s rare skills—pairing the professional’s easy way with subjects with
Keep ReadingGood Luck (France/Germany, 143 min.) Dir. Ben Russell Programme: Wavelengths (North American Premiere) The epigraph to Ben Russell’s Good Luck — an account of a mescaline-induced hallucination of a rock repeatedly
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