Egyptian artist Wael Shawky stage a performance piece of historical significance in Drama 1882 with its take on the Urabi Revolution.
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Nelson Carlo de los Santos Arias crafts a unique tale of a hippopotamus and Colombia's colonial history in Pepe.
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TIFF Wavelengths and Classics line-ups include films by Wang Bing, Nelson Carlo de los Santos Arias, Rhyane Vermette, and Frederick Wiseman.
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Revisiting the life and work of Skip Norman, an overlooked filmmaker, cinematographer, photographer, and chronicler of Black experiences.
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Wang Bing's latest observational opus Youth (Spring) captures the daily toils of young labourers in China's garment district.
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Eduardo Williams follows his 2016 breakout The Human Surge with another genre-defying and artistically daring feat of cinema.
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In Pictures of Ghosts, Kleber Mendonça Filho considers the shared history of his films, his childhood home, and his neighbourhood of Recife throughout the years.
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Do Not Expect Too Much from the End of the World tackles the exploitation of labour, the free market economy, racism, sexism, and other topics.
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Highlights in TIFF's Wavelengths and Classics line-ups include Youth (Spring), Pictures of Ghosts, He Thought He Died, Artie Shaw: Time Is All You've Got, and L'Amour Fou.
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An interview with Parastoo Anoushahpour on her experimental short film The Time That Separates Us, inspired by the Sodom and Gomorrah tale of Lot.
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