Eduardo Williams follows his 2016 breakout The Human Surge with another genre-defying and artistically daring feat of cinema.
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In Pictures of Ghosts, Kleber Mendonça Filho considers the shared history of his films, his childhood home, and his neighbourhood of Recife throughout the years.
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Do Not Expect Too Much from the End of the World tackles the exploitation of labour, the free market economy, racism, sexism, and other topics.
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Highlights in TIFF's Wavelengths and Classics line-ups include Youth (Spring), Pictures of Ghosts, He Thought He Died, Artie Shaw: Time Is All You've Got, and L'Amour Fou.
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An interview with Parastoo Anoushahpour on her experimental short film The Time That Separates Us, inspired by the Sodom and Gomorrah tale of Lot.
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Véréna Paravel and Lucien Castaing-Taylor's new film De Humani Corporis Fabrica is among the additions to TIFF's Wavelengths programme.
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Pietro Marcello, Francesco Munzi, and Alice Rohrwacher tour Italy to ask youths how they feel about the life ahead in Futura, a refreshingly open debate about where we want to go.
Keep ReadingTIFF’s annual Wavelengths programme is one of few opportunities for Torontonians (and Canadians) to see work on the bleeding edge of film aesthetics in such a concentrated burst. It’s also, I would
Keep ReadingFirst things first: Wavelengths, the experimental and avant-garde program curated by Andréa Picard, is pretty clearly the best thing TIFF has going for it. Here, as nowhere else, the celebrity-centric mediocrity of
Keep ReadingNot all of TIFF’s docs end up in TIFF Docs. In recent years, many of the festival’s most interesting documentaries have been screened in the avant-garde program, Wavelengths. This year is no different: with
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