Joannie Lafrenière captures Hungarian-Canadian photographer Gabor Szilasi with an appropriately curious eye.
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In Dear Audrey, Jeremiah Hayes observes filmmaker Martin Duckworth as he cares for his wife, Audrey Schirmer, following an Alzheimer's diagnosis.
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zo reken and Looking for Horses win the RIDM Grand Jury Prizes for national feature and international feature, respectively.
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In Animal Macula, old images take on new resonance and considerations through montage, transforming how we see more radically than merely engendering empathy.
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Hybrid film They Sleep Standing considers the lives of millennials and invites audiences to open their hearts to uncertainties.
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Transgender 'micro-celebrity' Tara Emory makes a space-age porno in Laurence Turcotte-Fraser's doc.
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In DƏNE YI'INJETL | The Scattering of Man, the Tsay Keh Dene Nation tells its own story of displacement by the construction of the W.A.C. Bennett Dam.
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An interview with Alone (Seuls) director Paul Tom about telling the stories of child refugees through the creative use of animation.
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Win a four-day screening pass to one of the virtual blocks at RIDM's hybrid festival, running Nov. 14 to 25.
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RIDM announces line-up for 2021 festival, which includes Jeremiah Hayes' Dear Audrey among the Canadian films debuting at the event.
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