Tomson Highway: Permanent Astonishment celebrates the life and work of the Cree playwright behind The Rez Sisters and Dry Lips Oughta Move to Kapuskasing.
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With documentary financing tightening, Canadian filmmakers are increasingly turning to wealthy benefactors to bridge the gap. What will this mean for creative autonomy, accountability, and the art form’s long-term health?
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As the Toronto International Film Festival celebrates its fiftieth edition, our writers pick fifty documentaries that helped define the festival in its first five decades.
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Barri Cohen discusses the Documentary Organization of Canada's policy history, it struggles and achievements throughout 40 years of advocacy.
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Canadian documentaries Plastic People, Adrianne & the Castle, and Hello Stranger are among the films set to premiere at this year's SXSW.
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What is the future like for Canadian documentary producers? POV discusses the state of Canadian documentary with two producers, Peter Raymont and Andreas Mendritzki.
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The standout Canadian docs of 2019 include nîpawistamâsowin: We Will Stand Up, This Is Not a Movie, The Corporate Coup d'État, Toxic Beauty, and Propaganda: The Art of Selling Lies.
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Peter Raymont and Nancy Lang recall their experience filming literary legend Margaret Atwood for their new documentary.
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An interview with Peter Raymont, founder, producer and director at White Pine Pictures, whose films include Shake Hands with the Devil, Genius Within, and TIFF 2019 opener Once Were Brothers: Robbie Robertson
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Once Were Brothers tells the story of Robbie Robertson and The Band in Daniel Roher's music doc that salutes a Canadian icon.
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