With documentary financing tightening, Canadian filmmakers are increasingly turning to wealthy benefactors to bridge the gap. What will this mean for creative autonomy, accountability, and the art form’s long-term health?
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The Spoils chronicles the ongoing restitution efforts for art dealer Max Stern and other Jews who were forced to sell art while fleeing the Holocaust.
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Jamie Kastner's documentary The Spoils follows efforts to recover paintings lost from Jewish art dealer Max Stern's collection.
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Jamie Kastner offers an intriguing portrait of the elusive journalist, hacker, and WikiLeaks aid in Nobody Wants to Talk About Jacob Appelbaum.
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Charlotte's Castle observes residents leading the fight to save Toronto's Spadina Gardens from developers.
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28 documentaries are set to receive funding through Telefilm Canada's Theatrical Documentary Program, including works by Alan Zweig and Kim Nguyen.
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The standout Canadian docs of 2019 include nîpawistamâsowin: We Will Stand Up, This Is Not a Movie, The Corporate Coup d'État, Toxic Beauty, and Propaganda: The Art of Selling Lies.
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The timing of Jamie Kastner’s feature The Skyjacker’s Tale couldn’t be better. In late 2014, while the Toronto director worked on the movie, the U.S. and Cuba announced the restoration of diplomatic
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