Celebrating Uvagut TV, the all-Inuktut station marks the first television station in Canada to broadcast entirely in an Indigenous language.
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Netflix has arguably mastered a formula for documentary series with hits like Tiger King, but will the equation hold in the long run?
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Can the adaptations forced by the COVID-19 pandemic inspire festivals to reimagine the relationship between artistic programming and public space?
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How Selwyn Jacob, Sylvia D. Hamilton, and Sam Pollard broke barriers in documentary production and continue to fight for change in the film industry.
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How have Canadian filmmakers responded to the COVID-19 pandemic and captured stories from this historic time? A survey with filmmakers Yung Chang, Matt Gallagher, Ngardy Conteh George, and the NFB's project The
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Painting with John, How To with John Wilson, and All Gas No Brakes reinvent (documentary?) comedy.
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Since 2017, I have had the distinct pleasure of serving as the chair of a preliminary judging committee for the Peabody Awards in broadcasting and digital media. Along with two graduate students
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Canadian Hertiage’s Bill C-10 sets forth amendments to the Broadcasting Act, following a recommendation by the Yale Report to tackle the dominance of tech giants in Canadian screen culture. The centrepiece is
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Behind your favourite app is an army of invisible workers. Drivers and delivery services ensure we get our food on time and that we’re never late for a meeting. In countries worldwide,
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Félix Dufour-Laperrière’s Archipelago is an animated essay that navigates territories real and imagined while interrogating the mythology and history of Quebec.
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